Vikingbyheart

Goksung (2016) - Review in english

Goksung (original title) or The Wailing (English title), the new film from South Korean director and writer Hong-jin Na (known for Chugyeogja - Chaser - 2008 and Hwanghae - The Yellow Sea - 2010), is already considered one of the great works in the horror genre, addressing a macabre part of eastern culture on legends, curses, evil spirits and mysticism, being one of the highlights at the Cannes Film Festival. Coincidentally after the arrival of a stranger, a strange disease begins to spread in the small village of Goksung, triggering a series of brutal murders. What at first appears to

Goksung (título original) ou O Lamento (em português), o novo filme do diretor e escritor sul-coreano Hong-jin Na (conhecido por Chugyeogja - O Caçador - 2008 e Hwanghae - 2010), já é considerado uma das grandes obras dentro do gênero de horror, abordando uma parte macabra da cultura oriental sobre lendas, maldições, espíritos malignos e misticismo, sendo inclusive um dos destaques no Festival de Cannes. Coincidentemente após a chegada de um forasteiro, uma estranha doença começa a se espalhar na pequena aldeia de Goksung, desencadeando uma série de assassinatos brut

Kollektivet (original title) or The Commune (English title), the new movie from director Thomas Vinterberg (known for Festen - The Celebration - 1998, Submarine - 2010 and Jagten - The Hunt - 2013), one of the founders of the film movement Dogme 95, which seeks to create a more realistic and less commercial cinema, deals with a family in the 70s, formed by the father Erik (played by Ulrich Thomsen, known for Festen - The Celebration - 1998 and Adams æbler - Adam's Apples - 2005), the mother Anna (represented by Trine Dyrholm, known for Festen - The Celebration - 1998 and DeUsynlige - Troub

Kollektivet (no original) ou A Comunidade (em português), o novo filme do diretor Thomas Vintenberg (conhecido por Festen - Festa de Família - 1998, Submarino - 2010 e Jagten - A Caça - 2013), um dos fundadores do movimento cinematográfico Dogma 95, que busca a criação de um cinema mais realista e menos comercial, aborda uma família nos anos 70, formada pelo pai Erik (interpretado por Ulrich Thomsen, conhecido por Festen - Festa de Família - 1998 e Adams æbler - Entre o Bem e o Mal - 2005), pela mãe Anna (representada por Trine Dyrholm, conhecida por Fest

Horror movies were never the same after the zombie trilogy by the director George Andrew Romero. In Night of the Living Dead (1968) we were presented to zombies who eat human flesh, a thriller mixing horror and social criticism. In the second film, Dawn of the Dead (1978), besides the social satire about paranoia and humanity to the brink of apocalypse, the movie explores the comic potential of zombies, especially black humor. We are the headless and cannibalistic beings who roam the cities. Closing the trilogy, Day of the Dead (1985) continues with the social criticism and the comic tone,

O cinema de terror nunca mais foi o mesmo depois da trilogia de filmes de zumbi do diretor George Andrew Romero. Em Night of the Living Dead - A Noite dos Mortos-Vivos (1968) fomos apresentados aos zumbis comedores de carne humana, numa mistura de suspense, horror e crítica social. Já no segundo filme, Dawn of the Dead - Despertar dos Mortos (1978), além da sátira social sobre paranoia e a humanidade à beira do apocalipse, explora-se o potencial cômico dos zumbis, sobretudo o humor negro. Nós somos os seres acéfalos e canibais que vagam pelas cidades. Fechando a trilogia, Day of the D

Cinema has good films that tell a story between man and animal. Among them we can mention: Born Free (1966), Brother of the Wind (1973), The Black Stallion (1979), L'ours - The Bear (1988), Cheetah (1989), Fly Away Home (1996), Duma (2005), Eight Below (2006), Le Renard et L'enfant - The Fox & The Child (2007), Life of Pi (2012) and The Jungle Book (2016). In Wie Brüder im Wind (original title) or Brothers of the Wind (English title), the story revolves around a child and a bird of prey, in 1960, in some place of the

O cinema possui bons filmes que contam uma história entre homem e animal. Dentre eles podemos citar: Born Free - A História de Elsa (1966), Brother of the Wind (1973), The Black Stallion - O Corcel Negro (1979), L'ours - O Urso (1988), Cheetah - Cheetah - Uma Aventura na África (1989), Fly Away Home - Voando Para Casa (1996), Duma (2005), Eight Below - Resgate Abaixo de Zero (2006), Le Renard et L'enfant - A Raposa e a Menina (2007), Life of Pi - As Aventuras de Pi (2012) e The Jungle Book - Mogli: O Menino Lobo (2016). Em Wie Brüder im Wind (título

Some movies can show that cinema is not just made of large productions and even with low budget and no major special effects you can produce a great film. This is the case of The One I Love, first feature-film of the director Charlie McDowell. With an original script and filmed almost in one set (a country house), the viewer is captivated by the story and the main characters in such a way that he will wait anxiously for the outcome of the plot. The One I Love reminds us of another great film in the same style that also did not have the proper recognition: Coherence (2013). The story inv

Vikingbyheart

Goksung (2016) - Review in english

Goksung (2016)

Kollektivet (2016) - Review in english

Kollektivet (2016)

Busanhaeng (2016) - Review in english

Busanhaeng (2016)

Wie Brüder im Wind (2015) - Review in english

Wie Brüder im Wind (2015)

The One I Love (2014) - Review in english

Labels

Arquivo do blog

Quem sou eu