Busanhaeng (2016) - Review in english

Horror movies were never the same after the zombie trilogy by the director George Andrew Romero. In Night of the Living Dead (1968) we were presented to zombies who eat human flesh, a thriller mixing horror and social criticism. In the second film, Dawn of the Dead (1978), besides the social satire about paranoia and humanity to the brink of apocalypse, the movie explores the comic potential of zombies, especially black humor. We are the headless and cannibalistic beings who roam the cities. Closing the trilogy, Day of the Dead (1985) continues with the social criticism and the comic tone, but relies on a more depressive and gloomy scenario, apart from the use of graphic violence. Following the footsteps of George Romero we have the gore Braindead (1992), the horror 28 Days Later (2002) and Rec (2007), and in humor genre, Shaun of the Dead (2004), Zombieland (2007) and Død snø - Dead Snow (2009).

The South Korean movie Busanhaeng (original title) or Train to Busan (english title) focuses on horror and action, with some moments of suspense. Written and directed by Sang-ho Yeon (known for the zombie animation Seoul Station - 2016), the film tells the story of a financial sector executive, Seok Woo (played by Yoo Gong, known for Do-ga-ni - Silenced - 2011) who agrees to travel with his daughter, Soo-an (represented by Soo Kim-an), from the capital Seoul to the city of Busan for she spends some time with her mother (Seok's ex-wife). After embarking on a modern express train (KTX) passengers discover that an epidemic is raging South Korea, turning much of the population into zombies. With an infected person on board and the disease rapidly spreading, father, daughter and other passengers will have to fight for survival and for their lives, trapped inside a high-speed moving train.

The director Sang-ho Yeon does a great job, managing to immerse the viewer in the plot. Despite most of the action been set in a train the film has a dynamic narrative and impresses for its visual and technical accuracy. Unlike the slow zombies of George Romero's trilogy in Train to Busan they are extremely agile, threatening and lethal. Another highlight is the cast. The characters are well developed, even for a horror movie and the actors deliver relevant performances, especially Sang Hwa (played by Dong-seok Ma, known for Joheunnom nabbeunnom isanghannom - The Good, The Bad, The Weird - 2008), the girl in the role of the daughter, Soo-an Kim, and Yoo Gong acting as the father. The soundtrack and sound effects are moderate, providing genuine scares.

There are still some elements in the movie of South Korean culture, as the obsession with education and study, and a strong critique of modern society. The quest for professional success even at the expense of family and leisure time is questioned in the film, as well as the social tension. Moral and ethical conflicts involving empathize or not for others and follow or not the animal instinct of self-preservation are exploited by different profiles of the surviving passengers.

Despite having some cliches of the zombie genre Busanhaeng is a great horror film, with good moments of suspense, well-constructed action scenes, a well-chosen cast and the right amount of tension to captivate the viewer.

Original title: Busanhaeng

English title: Train to Busan

Director: Sang-ho Yeon

http://www.imdb.com/title/tt5700672/

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Kampen om Tungtvannet (1948) - Review in english

World War II had several important episodes, but over the years many of them were forgotten or not had due recognition. Besides the famous invasion of Normandy by the Allies, operation known as "D-Day", The Battle of the Heavy Water also played a key role in the outcome of that war. Directed by Titus Vibe-Müller and Jean Dréville in a French-Norwegian co-production, Kampen om Tungtvannet (original title) or Operation Swallow: The Battle for Heavy Water (in English) is a docudrama (documentary drama) that dramatically presented the reconstitution of these events that marked the history of the world and Norway.

The film begins by an introduction to the war and the reasons that led France and Germany to become interested in the heavy water produced only in the chemical factory Norsk Hydro, in the Vemork plant on the outskirts of the town of Rjukan in Norway. The first country was seeking it to do research in laboratories on its effectiveness, while the second was aimed at getting it to build a secret weapon. As the heavy water was a byproduct of fertilizer production, its production was limited and on a small scale, which meant that any amount obtained become of paramount importance. While the Norwegians remained neutral in the war, the Allies were able to catch the first batch of the precious liquid. But with the invasion of Norway by the Germans, on the morning of April 9, 1940, the Nazis ordered the Norsk Hydro plant to increase its production. Realizing the threat that the plant had the British Intelligence in London with the Norwegian Resistance came together to take preventive measures and sabotage Nazi Germany's plans involving heavy water.



Shot in black and white and without the aspects of large productions such as extravagant action situations and melodramatic approach, Kampen om Tungtvannet uses archival footage and reconstructs the other scenes with the participation of real life counterparts. This gives the movie plenty of realism and authenticity, as well as historical and educational features. Among the counterparts actors we can quote the scientists Frédéric Joliot-Curie and Lew Kowarski and most of the Norwegian saboteurs. So few characters were played by professional actors and the four native languages ​​of the countries involved in the plot were kept: Norwegian, French, German and English. And it is exactly by the common aspect that this film stands out, especially when we remember what was at stake at that time. These are not synthetic heroes we find in American blockbusters, they are just ordinary men who risked their lives to prevent the victory of the Nazi Germany.

The photography explores the mountainous region and the harsh climate of Norway through open shots. The rigorous living conditions to which the members of the Norwegian resistance underwent equate to the size of the challenge that was ahead: prevent the Germans build their secret weapon. They faced hunger, cold and also the enemy.

This story was also dramatized in a British production called The Heroes of the Telemark (1965), with the participation of Kirk Douglas (citing some of his films: Ace in the Hole - 1951, Paths of Glory - 1957, The Vikings - 1958 and Spartacus - 1960) and Richard Harris (known for A Man Called Horse - 1970), and two TV mini-series, a Canadian (A Man Called Intrepid - 1979) and a Norwegian (Kampen om Tungtvannet - The Heavy Water War: Stopping Hitler's Atomic Bomb - 2015). The Swedish power metal band, Sabaton, also honored this episode through the music called Saboteurs.

War is not only won in the trenches or in the battle fronts, being fought by artillery fighting, but by the economic, social and mental mobilization in the rearward. It is won by the adopted strategies and resilience, bravery and wit of all its fighters.

Original title: Kampen om Tungtvannet
English title: Operation Swallow: The Battle for Heavy Water
Directors: Titus Vibe-Müller and Jean Dréville
http://www.imdb.com/title/tt0040504

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