Following the same investigative journalism line as All the President's Men - 1976, but for some reason without the appropriate recognition and impact, Kill the Messenger tells the true story of an American reporter, Gary Webb (played by Jeremy Renner, known for The Hurt Locker - 2008), who works in a small newspaper, San Jose Mercury News, and accidentally discovers secret documents about the US government and the war on drugs. In the face of this information, which reveal an alleged cocaine trafficking scheme into the United States, he must decide whether to protect his career, family and life or to risk unmask the case and publish the article.
Right away we are presented, in a format that resembles a documentary, to a series of newspaper reports and presidential speeches from Richard Nixon (1969-1974), Gerald Ford (1974-1977), Jimmy Carter (1977-1981) to Ronald Reagan (1981-1989). They all speech against trafficking and consumption of drugs. This exposure facilitates the viewer's immersion in the story and gives greater veracity to the facts. Later, we are transported to 1996 and we follow the research promoted by the protagonist, from one suspect to another, from traffickers to politicians, and in every new revelation we can contrast the government's initial speech with the unvarnished reality of facts.
We follow, step by step, everything that Gary Webb needs to do to ensure that the public will gain knowledge of something that was kept secret: observation, interviews and documentary survey. A journalist can not simply report a corrupt situation just because someone suggested it to him or because he thinks that it is incorrect. Until the article become concrete and be published there is a process to be followed in which the reporter review all the investigative material, evaluating whether there is a need to interview new sources or making new inquiries until all conflicting information is resolved. Especially if there are references to public figures, major corporations, politicians and governments, the journalist also should make sure, in the cases of legal proceedings, that he will receive legal and editorial support for article's publication. At this point we have to highlight the direction of Michael Cuesta (known for the TV series Homeland - 2011-2012), which left some open spots for the viewer to take away their own conclusions about Webb's research. Was he naive or sloppy?
The script was based on the books Dark Alliance: The CIA, The Contras, and the Crack Cocaine Explosion, written by Webb himself, and Kill the Messenger, a biography made by Nick Schou. The cast, apart from the excellent performance of Jeremy Renner in the leading role, has big names as Mary Elizabeth Winstead (10 Cloverfield Lane - 2016), Michael Sheen (Midnight in Paris - 2011), Ray Liotta (Goodfellas - 1990) and Andy Garcia (The Godfather: Part III - 1990).
The movie still stands out by reporting the pressures, blackmails, physical and psychological violence which investigative journalists suffer to carry out their work. Not only the man's integrity is hit, but also of his family. The manipulation of information is evident. Artifices as to attack the credibility of these professionals are used shamelessly to stifle the truth, since the gossip often becomes more important (it gains more prominence) than the denounce itself.
Does freedom of the press really exist? Is the media free or does it suffer political, economic and social influence? What is the real role of the journalist? Are some stories too true to be told? The non-reliability of some sources completely invalidates a newspaper article to the point of turning it into a lie? Is the US government boycotting the disclosure of this story (film)? These are some of the questions that Kill the Messenger leaves up in the air.
In the face of recent situations, such as the Panama Papers and the revelations of Edward Snowden and WikiLeaks, all the reflection and the unrolling brought by the plot in Kill the Messenger gain other layers of significance and meaning.
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